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A desire to create differently.

Slowly, freely.

Not to impose a form,
 but to enter into conversation with the space, the materials, and those who inhabit them.
 To take the time to listen, to understand, to shape with intention. IS.ND is not a fixed studio.


 It’s a living core.

A fluid collective that expands with each project, each affinity, each resonance between perspectives. We move with care, with precision —
 but always with openness.

IS.ND is a space for creating with intention.
 A shared ground for thinking, making, transmitting — in motion, in resonance, with care.

Objects in the Mirror
4:19
Tú con Él
4:49
Baile Inolvidable
6:07
S.D.E
2:58
Pa que lo gocen
3:40
Schémas Monotones
2:26
Guantanamera
3:10
Colors
4:06
Circles
12 songs, 48:44
Yo no soy celoso
3:50
Rome - Acoustic Version
2:47
1.6 (Live Session)
6 songs, 21:42
Fred Again...
14 songs, 53:41
Dyptique
3:28
What you say?
3:23
You
7:53
Rigid - Kobosil 44 Rush Mix
6:52
.RAW Spleen
3'36

We’re always looking for new talent, so if you want to work with us, send your CV + Portfolio to :

Socials

Team+Locations

SARAH ISNARD (paris + MARSEILLE)
FANNY SERVOLLE (BARCELONA)

Sarah_Portait_PublicationFanny_Portait_Publication

Services

Interior design
Furniture
Artistic Direction
Visual identity – branding strategy
Editorial
Textile design

Credits +

This website was conceived and developed by Quartier Libre. With heartfelt thanks to our dear friends for their support.

Refazenda

/ sEE archive /

Refazenda_Drone View

Refazenda_Site Satellite View

On the Brazilian Atlantic coast, the forest that once covered almost the entire territory has now been nearly wiped out due to colonization and, later, globalization. In response to industrial methods of forest exploitation, Evando Matos, a sociologist from the region, envisions an intelligent reforestation project. To carry out this mission, teams of researchers and artists will temporarily inhabit lightweight, reversible, cost-effective, and symbolically expressive architecture. Inspired by the futuristic aesthetics of dystopian pop culture and the spirit of self-construction championed by activist movements, this mission project imagines a future in which humanity has begun to repair its past mistakes.

Refazenda_Isometric

The Bay of All Saints, located about fifty kilometers from Aratuípe, was one of the first areas in Brazil to be colonized. In the 1560s, following the arrival of colonists on the Brazilian coast and their attempts to claim the land, cattle ranching developed, closely linked to the expansion of the sugar industry. Cattle were used for transporting sugarcane, for traction in certain mills, and also as a food source for the colonists. The result of this livestock farming was the creation of large fazendas (large agricultural estates dedicated to crops or livestock) and the displacement of the Indigenous populations originally present along the coast, who migrated inland. At the same time, the timber trade, including valuable woods such as pau-brasil (Brazilwood), grew due to the colonists’ fascination with the exotic appeal of these new species. This not only provided a new product for the European market, generating wealth, but also created large spaces suitable for constructing fazendas. In the second half of the 20th century, private companies acquired large tracts of land to establish forests for the timber trade. The introduction of eucalyptus monocultures near the coast destroyed a significant portion of the Mata Atlântica that had survived on these lands. What once hosted countless animal and plant species has gradually been impoverished over time. Since then, and continuing to the present day, the territory of Bahia has been heavily altered. It is in response to this tragedy, more relevant than ever, that the Refazenda project was conceived.

Refazenda_Lab View

Refazenda_Site Satellite View

Driven by the belief that architecture and design can make a meaningful impact, the project was designed to organize the entire mission in an optimal way. From the architectural design to the selection of species to be planted, as well as the daily schedule, every aspect is planned to facilitate the work of volunteers. A team of ten specialists, selected for their motivation and commitment, will spend one year in the Bahia region to carry out a reforestation mission using the Miyawaki method. Participants will live in portable, reversible architecture inspired by the indigenous habitats of the area. The architecture is composed of modules with similar structures, which can be arranged differently depending on the type of space desired. Built on stilts, they are easily assembled and respectful of the ground on which they stand. Once the mission is completed, a new team will take over to help develop a healthy and sustainable forest. After three years, when the forest becomes self-sufficient, the architecture can be dismantled and reused for other similar missions.

Refazenda_Trees

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/From left to Right/ a. Acrodomia Auleata b. Eucalyptus c. Tipuana Tipu d. Alchornea Glandulosa e. Astrnium Balansae f. Aspidosperma Polyneuron g. Parapiptdenia Rigida h. Aegiphilia Integrifolia i. Theobroma acao j. Schinus Terebinthifolius k. Euterpe Edulis l. Enterolobium Contortisiliquum. The trees will be planted using the Miyawaki method, an innovative reforestation approach developed by Japanese botanist Akira Miyawaki. This technique allows the creation of dense, resilient forests rich in biodiversity by drawing inspiration from the natural vegetation specific to each site. Several dozen native tree and shrub species are carefully selected and planted very close together (3 to 5 plants per square meter). This high density encourages cooperation among species, accelerates growth (up to ten times faster than conventional plantations), and helps restore ecological diversity. In just 20 to 30 years, a mature forest is established—where natural regeneration would take several centuries.

Refazenda

Architecture

Refazenda

2022

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Architecture

Refazenda

2022

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( sEE archive }

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